片名:《一曲相思未了情[电影解说]》
类型:短剧
上映时间:1960
上映地区:美国
导演:查尔斯·维多,乔治·库克
主演:德克·博加德,卡普西尼,吉内瓦维·佩吉
集数: 完结
语言:
【欧乐影院】分享经典短剧《一曲相思未了情[电影解说]》,一曲相思未了情[电影解说]由知名导演查尔斯·维多,乔治·库克指导拍摄,《一曲相思未了情[电影解说]》由知名演员德克·博加德,卡普西尼,吉内瓦维·佩吉等等人倾情完美合作演绎,《一曲相思未了情[电影解说]》的剧情曲折离奇跌宕起伏,《一曲相思未了情[电影解说]》的人物设定符合作品主题,《一曲相思未了情[电影解说]》是一部让人意犹未尽余味无穷的作品,《一曲相思未了情[电影解说]》有等语种,《一曲相思未了情[电影解说]》短剧好评如潮,吸引很多粉丝对《一曲相思未了情[电影解说]》的观看,每日看好剧就上【欧乐影院】
《一曲相思未了情[电影解说]》剧情简介：In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.
In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.Copyright © 2015-2020 All Rights Reserved
