无人呼叫 已完结

评分:
5.0 推荐

分类:剧情片 其它 1960

导演:Kazimierz  Kutz   

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播放地址

剧情介绍

片名:《无人呼叫》

类型:剧情片

上映时间:1960

上映地区:其它

导演:Kazimierz Kutz

主演:Zofia Marcinkowska,Henryk Boukolowski

集数: 完结

语言:其它

【欧乐影院】分享经典剧情片《无人呼叫》,无人呼叫由知名导演Kazimierz Kutz指导拍摄,《无人呼叫》由知名演员Zofia Marcinkowska,Henryk Boukolowski等等人倾情完美合作演绎,《无人呼叫》的剧情曲折离奇跌宕起伏,《无人呼叫》的人物设定符合作品主题,《无人呼叫》是一部让人意犹未尽余味无穷的作品,《无人呼叫》有其它等语种,《无人呼叫》剧情片好评如潮,吸引很多粉丝对《无人呼叫》的观看,每日看好剧就上【欧乐影院】

《无人呼叫》剧情简介:50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说。  In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.

50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说。  In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.

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